I took a slightly different approach with this one and made the simplification of details easier on myself. Doesn't hurt that I'm finally trying a half-sheet again. Since I've started photographing my paintings, I can go bigger again for better effect. I haven't done anything larger than 11"x15" in several years. This one turned out just about as perfect as I can probably hope to get. There's only one thing I would change. That's pretty good for me.
I've never seen Peterson without a pipe in his mouth. Sometimes in the summer he would wear his overalls to church because he'd already put in a few hours of work and had to get right back at it after lunch. The reference photo for this is actually from a photograph taken as part of the Federal Art Project, which was sponsored by the Works Progress Administration (WPA) in the 1930s and 40s. I believe the photo is of a New England farmer taken in the early 1940s.
I finally got a rusty truck in a landscape in which I'm happy with both aspects. The truck worked out very nicely. And, I'm very happy with the field and barn in the background. There's a pretty good blend of looseness and detail, combined with some nice aerial perspective to give the effect I was after. I'll call it a win.
I'd been sitting on this reference photo for a couple years because I wasn't sure if I could get it believable. I'm glad I finally dove in. It turned out to be one of my favorite landscapes. And, it's quite appropriate for the winter storm my area is dealing with now.
Just a fairly quick impressionist landscape of the old school in Edgefield, a magical place. As always, I wish the sky had scanned better; it's a moderately better one than usual.
Just another barn somewhere. I made up Edgefield because the barn is on the edge of the field and I couldn't think of anything else. I may continue to use Edgefield as a fictional place where all sorts of art lives.