This is from a reference photo I've had for several years afraid to tackle the detail and the shadows. I finally decided to jump in and I'm glad I did. This worked out better than I expected and pops right off the page/screen.
This is from an old photo from the late '40s or early '50s found in one of those caches of "found photos" becoming popular on the web these days. When I thought I was done I felt the buildings in the background were too dark and intense, demanding too much attention. So I used one of John Lovett's tricks and added a very thin layer of white gesso over them and the most distant car to tone them down and push them back. Worked like a charm.
Just another barn somewhere. I made up Edgefield because the barn is on the edge of the field and I couldn't think of anything else. I may continue to use Edgefield as a fictional place where all sorts of art lives.
I called this one Church Street Church because it isn't a church anymore; it's an Italian restaurant. I couldn't find the original name of the church that occupied this building. Beyond that, I'm quite happy with this one.
I haven't done Virtual Paintout in a couple months. This month we're in Ghana. As is evident from many paintings on this blog, I'm drawn to church buildings. So, while I wasn't looking for a church in the Ghana Street View images, I did happen across one that just happened to be having a funeral at the time the image was taken with a Buick hearse parked out front.This checked a couple things off my favorites list -- it's a car AND a hearse (to cover the horror theme). One of the few late model cars I've ever done. The original ink drawing is below.