I finally got a rusty truck in a landscape in which I'm happy with both aspects. The truck worked out very nicely. And, I'm very happy with the field and barn in the background. There's a pretty good blend of looseness and detail, combined with some nice aerial perspective to give the effect I was after. I'll call it a win.
I painted this from a composite photo I put together from separate photos of the truck and barn. I'm very happy with how that process worked out. Too often the angles don't workout, or it's difficult to place the different objects on different planes so they don't look like they exist in the same space. And, then, of course, there's the lighting to work out. This one fell together nice and easy.
A painterly cow portrait to go with my rooster a couple weeks back. Cow portraits have been popular for a several years, so I thought I'd try one. Not bad, but I don't think I'll make a career of it.
I've had this rooster reference photo sitting around for years, originally planning to do a very loose watercolor. I finally pulled it out and a realist gouache showed up.
Just another barn somewhere. I made up Edgefield because the barn is on the edge of the field and I couldn't think of anything else. I may continue to use Edgefield as a fictional place where all sorts of art lives.
This has nothing to do with the one from a couple weeks ago. The reference photos were taken 4-5 miles and 2-3 years apart. Still playing with leading lines and vignetting. I'm not sure the vignette works with this one.
The fashion now is to restore old trucks especially, but some cars, as well, to good running condition but leave the exterior paint and rust alone for a "vintage" look. These usually are sprayed with a few coats of clear-coat to arrest any further rusting or paint loss. I wasn't aware this was a thing until I saw it done on one of those car restoration "reality" shows. I have to admit I like the look - and it makes for a lot of great subjects to paint. My only problem is that the clear-coat makes the rust shine, which looks odd because rust doesn't shine. At least, it doesn't have to shine on my paper. This one worked out nicely, though a little darker than I meant to go with it.
Another old farm this week. Just a quick landscape of a place in eastern North Carolina. This one does a reasonable job of mixing realism and impressionism, I think.
Merry Christmas all! I know this isn't very festive, but I've never had much success with holiday-themed pieces. Maybe that's something I should think about for the new year.
Another loose, impressionistic rusty truck. Pretty happy with this one. I'm finding that when I'm not happy with something it isn't always because there's something wrong with that spot; it's often because I haven't gotten my head completely wrapped around impressionism and suggesting rather than showing every little thing. Progress, maybe?
A quick loose piece. I don't paint a lot of animals, but the contrast of the horses against the dark, shadowed background - along with the tree shadows made this scene pop.