A little piece of the tail of a 1957 Buick. It's hard to tell from the reference photo I had, but I think this car had been hit somewhere in the rear causing an odd looking shift in direction for certain parts. Or, I guess it's possible that at such an isolated view some things just look like they fit together quite right.
A portrait in ink. I've found myself doing many more portraits and figures over the past few months. So, the handful of regular visitors to the blog will be seeing more people in my art than cars or landscapes if you haven't already. I am, however, trying to remedy that at least on the landscape side. We'll see how that works out.
I don't post a lot of drawings or sketches - mainly because most of them are very rough value sketches for watercolor paintings. But, some end up getting finished as pretty decent little drawings in their own right. This one finished up a lot better than most.
Something left over from a couple months ago that never got posted. I have another winter scene to post. I might wait until it's much hotter for a little juxtaposition.
A quick little piece I did for a friend's father. This was a car he used to own and only had a couple photos of it in his driveway. I sent it to him through his son, my high school friend, and he liked it so much he mailed me a hand-written thank-you note. Better than any commission check.
Just another "portal" painting. Portals -- in the form of doors and windows -- have been popular in art for centuries. I like the inherent mystery of wondering what's on the other side.
It's probably just a sense of nostalgia, but I have a soft spot for even these old full-size Jeeps. I'm sure if I actually drove one, I would feel like it was too big after driving a much smaller XJ Cherokee for years. But, I can't help wishing I'd been introduced to these way back when.
I've been trying to do more figures that were dressed and going about regular daily activities. This girl seemed perfect, although I rarely use much true yellow. I feel like I should have used a more contrasting background color. But, maybe the lighter neutral helps preserve the light airy-ness of the subject.
This was meant to be a quick, sketchy car painting. But, it turned into a much more realistic piece, though it still took just a few hours. Most of that was drying time for the several layers of red.