watercolor, 2018
available, 8"x10"
A quick portrait from an old black and white photo. I used my new favorite caucasian flesh mix of yellow ochre, DaVinci red (or any warm red), and cobalt blue. A bit of perylene maroon (or any cool red) is used in the middle shadows. It looks much better in person. The scan always tends to add a bit more yellow, which is difficult to fix without altering the other colors. I'm still working toward photographing all my paintings. Right now this is a content, if not happy, medium.
watercolor, 2018
available, 11"x15"
A small church by a river in Ireland.I struggled a lot with this one. But, at least I'm happy with the sky.
watercolor, 2018
available, 11"x15"
I painted this from a composite photo I put together from separate photos of the truck and barn. I'm very happy with how that process worked out. Too often the angles don't workout, or it's difficult to place the different objects on different planes so they don't look like they exist in the same space. And, then, of course, there's the lighting to work out. This one fell together nice and easy.
watercolor, 2018
available, 8"x10"
Horror never sleeps! It isn't just for October. This is a moody little piece I painted all in neutral tint.
gouache, 2017
available, 8"x10"
The venerable Jaguar E-Type peeking out from under a car cover. I gave this one a watercolor underpainting using the several left over colors on my palette - making that gray background color. The gouache covers right over with no migration or noticeable lifting like you might get with a watercolor wash. The abstract background shapes aren't meant to signify anything, just add a bit of depth around and behind the subject.
