watercolor, 2017
available, 11"x15"
Just a quick flower-in-a-window painting. There's actually very little I would change or do differently. That's weird.
watercolor, 2017
nfs, 6"x9"
Here's another quick portrait in Payne's Gray. This one worked out better than the last one.
watercolor, 2017
available, 11"x15"
I got a wild hair recently to see if I could play with the logos/badges of various auto manufacturers and their products and drop a little impressionism/expressionism on them. It might make an interesting pop art series. Since I also recently bought a Cadillac (a VERY good deal on a used SRX that I couldn't pass up), I thought their latest logo crest would be a good place to start.
watercolor, 2017
available, 11"x15"
Just a fairly quick impressionist landscape of the old school in Edgefield, a magical place. As always, I wish the sky had scanned better; it's a moderately better one than usual.
watercolor, 2017
nfs, 6"x9"
This a quick portrait sketch playing with a loose wet style I've admired for a while. I've also needed to get back to monochrome for a while to keep my understanding of values strong.
watercolor, 2017
nfs, 11"x15"
This is a commission I did for a cousin of my wife. It's a gift for her husband, his first car. Fairly straightforward.
ink, 2017
available, 9"x12"
I found some Winsor & Newton Pigment Markers on clearance locally so I thought I'd give them a try. I just bought a couple grays as I've been wanting to experiment more with grayscale and with markers. This is a first attempt. Not bad if I say so myself. The two pens I chose were a bit darker than I expected. I was looking for four levels -- two grays, black and paper white. Not really what I got. Even so, they work nicely in a horror theme, obviously. I'll be playing with these some more for both finished pieces and preliminary grayscale sketches for watercolors.